Renato Miani

Renato Miani bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla.

Le sue opere sono state eseguite bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla.

Citazione da critica bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla


to the top

Giovanni Sparano

Giovanni Sparano is graduated in Composition and New Technologies at Conservatory of Venice "B. Marcello" under the guidance of Corrado Pasquotti and Paolo Zavagna. He obtained the Second Level Master in Composition at Conservatory “G. Verdi” of Milan, under the guidance of Ivan Fedele, José Manuel López López, Michael Jarrell, Toshio Hosokawa and Beat Furrer. He currently teaches Music Informatics at the Conservatory of Music “B. Marcello” in Venice.
His compositions have been performed at the Venice Music Biennale, La terra fertile, EMUfest in Rome, A.Gi.Mus Season. Venice, International Conference on Intelligent Autonomous Systems 2014, ArtNight of Venice, EXPO Venice, New Made Week Project "SIAE - Classics of Today", Gran Teatro La Fenice of Venice, Palazzo Grassi of Venice, New York City Electroacoustic Music Festival, XXII Colloquium of Musical Informatics of Udine. In 2017 the Gran Teatro La Fenice commissioned him the music for the multimedia opera FENIX DNA, by the internationally renowned artist Fabrizio Plessi, scheduled for the opera programme.
As electronic performer he participated, among others, in events such as the Venice Music and Architecture Biennale, Art Night Venice, Sound and Music Computing Conference, Festival Camino Contro Corrente, Audio Mostly, Morelli Festival in Venice, Opera Season of the Teatro la Fenice in Venice.
He is researcher in the fields of digital audio processing, live electronics and multimedia. He has published scientific papers for the 21st and 22nd Music Computing Colloquium, the 40th International Computer Music Conference and the 11th Sound and Music Computing Conference.
He is a founding member of Arazzi Laptop Ensemble and Pourquoi-Pas Ensemble. His scores are published by ARS Publica.

to the top

Massimiliano Tonelli

Tonelli graduated with degrees in double bass, jazz composition, arranging and conducting for large jazz ensemble, and electronic music from the conservatory “G. Rossini”, Pesaro (Italy). As a double bass player and arranger, he has recorded for the Italian label “Red Records” and, with his own quartet, for the Swiss label “Unit Records”. His acousmatic compositions have been performed at various conferences and festivals, including ICMC and NYCEMF.
Tonelli holds a laurea in electronic engineering (Università politecnica delle Marche), an MSc in digital signal processing (Queen Mary University of London), an MPhil in digital signal processing (Edinburgh University) and a specialization in acoustics (Università di Ferrara). He is a professor of “musical acoustics” at the conservatory of Venice and he has been professor of music technology related subjects at Milano, Avellino, Padova, Bologna, Cesena and Ferrara conservatories.

to the top

Paolo Zavagna

Paolo Zavagna published several contributions in conference and workshop proceedings on electronic and computer music.

He did the sound projection and the live electronics in productions by Ambrosini, Battistelli, Berio, Curran, Crumb, Furlani, Di Scipio, Fômina, Nono, Pasquotti, Reich, Risset, Romitelli, and Sciarrino in venues in Paris, London, Milan, Florence, Treviso, Venice, Udine, Strasbourg, and Praha. He co-realized short film/documentary soundtracks and received commissions for the 56th and the 67th International Festival of Contemporary Music La Biennale di Venezia.

He is the supervisor at MARTLab in Florence for the restoration of sound archives and the scientific co-director of the international journal «Music/Technology».

He curated the cycle of seminars entitled laboratorioarazzi and the concerts held at Fondazione Giorgio Cini in Venice from 2009 until 2011. He is the curator of the project www.venicesoundmap.eu on the venetian soundscape. He is founding member of the Arazzi Laptop Ensemble and partner of the european project Ecouter le monde. He was member of the Leonardo Group in Venice, "a group of inspirational figures who defy traditional boundaries. Bringing together thought leaders from science, technology, business, the arts, media and culture, Leonardos are committed to creating change and to attracting a new generation of flexible thinkers to engage creatively with science and technology".

to the top