1st year | 2nd year | 3rd year | ||||||||||
category | area | course | type | hrs | cr | ex | hrs | cr | ex | hrs | cr | ex |
FUNDAMENTAL | COTP/06 | Solfège | L | 20 | 1 | Q | ||||||
Music theory | C | 30 | 2 | E | ||||||||
Ear training | G | 40 | 3 | E | ||||||||
Semiography of contemporary music | C | 14 | 1 | Q | ||||||||
CODM/04 | History and historiography of music | C | 45 | 4 | E | 45 | 4 | E | ||||
CODM/05 | History of electroacoustic and computer music | C | 20 | 3 | E | 20 | 3 | E | ||||
COME/03 | Music acoustics | C | 10 | 1 | Q | 10 | 1 | E | ||||
Psychoacoustics | C | 10 | 1 | Q | 10 | 1 | E | |||||
Auditory perception and listening theory | C | 20 | 2 | E | ||||||||
COME/04 | Electroacoustics | C | 40 | 6 | E | 40 | 6 | E | 40 | 6 | E | |
SPECIFIC | CODC/01 | Composition | I | 16 | 8 | Q | 16 | 8 | E | 16 | 8 | E |
COME/02 | Electroacoustic and computer music composition A | G | 13 | 4 | Q | 13 | 4 | Q | 13 | 4 | Q | |
Electroacoustic and computer music composition B | I | 17 | 8 | E | 17 | 8 | E | 17 | 8 | E | ||
Analysis of electroacoustic music | G | 20 | 3 | Q | 20 | 3 | E | |||||
COME/05 | Music informatics | C | 25 | 2 | E | |||||||
Audio programming | C | 15 | 2 | Q | 15 | 2 | E | |||||
Digital signal processing | C | 15 | 2 | Q | 15 | 2 | E | |||||
COME/01 | Electroacoustic music performance practice | L | 32 | 4 | Q | 32 | 4 | Q | 32 | 4 | Q | |
Live electronics | G | 20 | 3 | Q | 20 | 3 | E | |||||
RELATED | COME/06 | Programming and technologies for multimedia | G | 15 | 3 | Q | 25 | 4 | E | |||
ADDITIONAL | CODL/02 | Foreign language | C | 20 | 2 | Q | 20 | 2 | E | |||
Internships/stages/artistic activities | 2 | 2 | 2 | |||||||||
AT CHOICE | 6 | 6 | 6 | |||||||||
FINAL EXAMINATION | Technical-practical-scientific thesis | 6 |
1st year | 2nd year | ||||||||
category | area | course | type | hrs | cr | ex | hrs | cr | ex |
FUNDAMENTAL | COTP/06 | Ear training | G | 24 | 3 | Q | |||
Semiography of music | G | 20 | 3 | E | |||||
CODM/04 | History and historiography of music | C | 24 | 3 | E | ||||
CODM/05 | History of electroacoustic music | C | 20 | 3 | E | 20 | 3 | E | |
COME/03 | Music, media and technology | G | 12 | 2 | Q | ||||
Room acoustics | C | 18 | 3 | Q | |||||
COME/04 | Electroacoustics | C | 20 | 3 | E | ||||
SPECIFIC | COME/01 | Electroacoustic music performance practice | L | 24 | 3 | Q | 32 | 4 | Q |
Live electronics | G | 12 | 2 | Q | 12 | 2 | Q | ||
Multimodality and interaction | G | 12 | 2 | Q | 12 | 2 | E | ||
COME/02 | Electroacoustic composition | I | 30 | 13 | E | ||||
Computer music composition | I | 30 | 13 | E | |||||
Analysis of electroacoustic and computer music | C | 20 | 3 | Q | 20 | 3 | E | ||
CODC/01 | Composition | I | 24 | 4 | E | 24 | 4 | E | |
RELATED | COME/06 | Programming and technologies for the network and mobile systems | C | 12 | 2 | Q | 12 | 2 | Q |
COME/05 | Audio programming | G | 20 | 3 | Q | 20 | 3 | Q | |
COME/04 | History of electroacoustic technology | C | 12 | 2 | Q | ||||
ADDITIONAL | CODL/02 | Foreign language | C | 18 | 2 | Q | 18 | 2 | Q |
COCM/01 | Law and show business | C | 20 | 2 | Q | ||||
Internships/stages/artistic activities | 3 | 3 | |||||||
AT CHOICE | 6 | 6 | |||||||
FINAL EXAMINATION | Technical-practical-scientific thesis | 6 |